Leaving a scene is a common theme in the blues, and as Toronzo comments in the liner notes that he "didn't want it to be the regular old, 'okay, this baby left him,' or "His baby givin' him the blues, and he's got his suitcase at the door, and he's leavin' ... " There's a zillion versions of this theme, and I'm looking forward to Toronzo's.
One of mine happened when I was sailing out of Seattle for the Orient. One night I went in a tropical type of bar frequented by sailors and saw a woman I'd seen in a local bookshop (that was different!). She was with a girlfriend and I bought them both a drink, then they invited me to sit with them. I took her out a couple of times before we sailed, found out she was a school teacher, real smart, definitely had something to teach me.
We exchanged letters and next time in port there she was waiting for ship (real different).
Again we exchanged letters and notes and the next time into Seattle not only was she not dock side, but she had left town. I talked to her landlady, "she left the end of the month." Called the school district, she had resigned. I was a little dumbfounded and so sent her a letter with a request that it be forwarded to her (never came back, no answer). To this day it is a mystery,
and when I ran into her friend in the tropical bar a little later she said that she thinks she went "home" to Eastern Washington. No leaving mood for this one, just left. I missed her for awhile.
ps. You can get this publication by calling 1-800-684-3480, especially for Jazz & Blues buffs
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